LSF3, round 1 (Cthulhu v. Colour)

[Hodgson]

Vote your favorite; last 7 days.

[Jesus Prime]

I closed my eyes and picked the one the curser was closest to.

[odin2]

Tied...

[JJ Burke]

they're both excellent stories, but 'the call of cthulhu' is more plainly definitive of hpl's cosmology. if i wanted to introduce some philistine to the essential ideas of the mythos, and they were likely to read only one (or part of one) story, i'd direct them to 'the call' just because it lays everything out from the first paragraph. that's the advantage i gave it anyway

[Hodgson]

I haven't voted here yet. I agree that Cthulhu is the essential type of the best-known Lovecraft stories, but Colour has a great setting, with some of HPL's more unusual ideas/devices--and a great final scene with the character (I don't remember his name offhand) who, well, you know. . . loses his composure.

[Eternities End]

Colour is better written and has a more inthrawling story line

[Hodgson]

a great final scene with the character (I don't remember his name offhand) who, well, you know. . . loses his composure.

This:

It had come to meet him, and it was still alive after a fashion. Whether it had crawled or whether it had been dragged by any external forces, Ammi could not say; but the death had been at it. Everything had happened in the last half-hour, but collapse, greying, and disintegration were already far advanced. There was a horrible brittleness, and dry fragments were scaling off. Ammi could not touch it, but looked horrifiedly into the distorted parody that had been a face. "What was it, Nahum - what was it?" He whispered, and the cleft, bulging lips were just able to crackle out a final answer.

"Nothin'... nothin'... the colour... it burns... cold an' wet, but it burns... it lived in the well... I seen it... a kind of smoke... jest like the flowers last spring... the well shone at night... Thad an' Merwin an' Zenas... everything alive... suckin' the life out of everything... in that stone... it must a' come in that stone pizened the whole place... dun't know what it wants... that round thing them men from the college dug outen the stone... they smashed it... it was the same colour... jest the same, like the flowers an' plants... must a' ben more of 'em... seeds... seeds... they growed... I seen it the fust time this week... must a' got strong on Zenas... he was a big boy, full o' life... it beats down your mind an' then gets ye... burns ye up... in the well water... you was right about that... evil water... Zenas never come back from the well... can't git away... draws ye... ye know summ'at's comin' but tain't no use... I seen it time an' agin senct Zenas was took... whar's Nabby, Ammi?... my head's no good... dun't know how long sense I fed her... it'll git her ef we ain't keerful... jest a colour... her face is gittin' to hev that colour sometimes towards night... an' it burns an' sucks... it come from some place whar things ain't as they is here... one o' them professors said so... he was right... look out, Ammi, it'll do suthin' more... sucks the life out..."

But that was all. That which spoke could speak no more because it had completely caved in. Ammi laid a red checked tablecloth over what was left and reeled out the back door into the fields.

Since we're at the destructive task of eliminating Lovecraft stories, does anyone else have any favorite parts or quotes from the stories?

[Jesus Prime]

Since we're at the destructive task of eliminating Lovecraft stories, does anyone else have any favorite parts or quotes from the stories?

The following are passages that exemplify exactly what I love about Lovecraft's work.


Nothing was ever quite as trippy and fucked up for me as "The Doom That Came To Sarnath", and this is probably the greatest passage in it - after building a picture of the beautiful, serene city of Sarnath, BLAM!

Then, close to the hour of midnight, all the bronze gates of Sarnath burst open and emptied forth a frenzied throng that blackened the plain, so that all the visiting princes and travelers fled away in fright. For on the faces of this throng was writ a madness born of horror unendurable, and on their tongues were words so terrible that no hearer paused for proof. Men whose eyes were wild with fear shrieked aloud of the sight within the king's banquet-hall, where through the windows were seen no longer the forms of Nargis-Hei and his nobles and slaves, but a horde of indescribable green voiceless things with bulging eyes, pouting, flabby lips, and curious ears; things which danced horribly, bearing in their paws golden platters set with rubies and diamonds and containing uncouth flames. And the princes and travelers, as they fled from the doomed city of Sarnath on horses and camels and elephants, looked again upon the mist-begetting lake and saw the gray rock Akurion was quite submerged. Through all the land of Mnar and the land adjacent spread the tales of those who had fled from Sarnath, and caravans sought that accursed city and its precious metals no more. It was long ere any travelers went thither, and even then only the brave and adventurous young men of yellow hair and blue eyes, who are no kin to the men of Mnar. These men indeed went to the lake to view Sarnath; but though they found the vast still lake itself, and the gray rock Akurion which rears high above it near the shore, they beheld not the wonder of the world and pride of all mankind. Where once had risen walls of three hundred cubits and towers yet higher, now stretched only the marshy shore, and where once had dwelt fifty million of men now crawled the detestable water-lizard. Not even the mines of precious metal remained. DOOM had come to Sarnath.

But half buried in the rushes was spied a curious green idol; an exceedingly ancient idol chiseled in the likeness of Bokrug, the great water-lizard. That idol, enshrined in the high temple at Ilarnek, was subsequently worshipped beneath the gibbous moon throughout the land of Mnar.

I did a piece of coursework last year on "At The Mountains of Madness", pinpointing this passage - if you don't know why, just imagine that this is the most direct and insightful passage in the entire novella.

It is only with vast hesitancy and repugnance that I let my mind go back to Lake's camp and what we really found there - and to that other thing beyond the mountains of madness. I am constantly tempted to shirk the details, and to let hints stand for actual facts and ineluctable deductions. I hope I have said enough already to let me glide briefly over the rest; the rest, that is, of the horror at the camp. I have told of the wind-ravaged terrain, the damaged shelters, the disarranged machinery, the varied uneasiness of our dogs, the missing sledges and other items, the deaths of men and dogs, the absence of Gedney, and the six insanely buried biological specimens, strangely sound in texture for all their structural injuries, from a world forty million years dead. I do not recall whether I mentioned that upon checking up the canine bodies we found one dog missing. We did not think much about that till later - indeed, only Danforth and I have thought of it at all.

The principal things I have been keeping back relate to the bodies, and to certain subtle points which may or may not lend a hideous and incredible kind of rationale to the apparent chaos. At the time, I tried to keep the men's minds off those points; for it was so much simpler - so much more normal - to lay everything to an outbreak of madness on the part of some of Lake's party. From the look of things, that demon mountain wind must have been enough to drive any man mad in the midst of this center of all earthly mystery and desolation.

The crowning abnormality, of course, was the condition of the bodies - men and dogs alike. They had all been in some terrible kind of conflict, and were torn and mangled in fiendish and altogether inexplicable ways. Death, so far as we could judge, had in each case come from strangulation or laceration. The dogs had evidently started the trouble, for the state of their ill-built corral bore witness to its forcible breakage from within. It had been set some distance from the camp because of the hatred of the animals for those hellish Archaean organisms, but the precaution seemed to have been taken in vain. When left alone in that monstrous wind, behind flimsy walls of insufficient height, they must have stampeded - whether from the wind itself, or from some subtle, increasing odor emitted by the nightmare specimens, one could not say.

But whatever had happened, it was hideous and revolting enough. Perhaps I had better put squeamishness aside and tell the worst at last - though with a categorical statement of opinion, based on the first-hand observations and most rigid deductions of both Danforth and myself, that the then missing Gedney was in no way responsible for the loathsome horrors we found. I have said that the bodies were frightfully mangled. Now I must add that some were incised and subtracted from in the most curious, cold-blooded, and inhuman fashion. It was the same with dogs and men. All the healthier, fatter bodies, quadrupedal or bipedal, had had their most solid masses of tissue cut out and removed, as by a careful butcher; and around them was a strange sprinkling of salt - taken from the ravaged provision chests on the planes - which conjured up the most horrible associations. The thing had occurred in one of the crude aeroplane shelters from which the plane had been dragged out, and subsequent winds had effaced all tracks which could have supplied any plausible theory. Scattered bits of clothing, roughly slashed from the human incision subjects, hinted no clues. It is useless to bring up the half impression of certain faint snow prints in one shielded corner of the ruined inclosure - because that impression did not concern human prints at all, but was clearly mixed up with all the talk of fossil prints which poor Lake had been giving throughout the preceding weeks. One had to be careful of one's imagination in the lee of those overshadowing mountains of madness.

And if we want a nice, quick and simple quote, I think the dénouement at the end of "Pickman's Model" is probably the most simple and effective ending ever written in the entirety of literature.

Well - that paper wasn't a photograph of any background, after all. What it showed was simply the monstrous being he was painting on that awful canvas. It was the model he was using- and its background was merely the wall of the cellar studio in minute detail. But by God, Eliot, it was a photograph from life!

[Hodgson]

Since we're at the destructive task of eliminating Lovecraft stories, does anyone else have any favorite parts or quotes from the stories?

The following are passages that exemplify exactly what I love about Lovecraft's work.


Nothing was ever quite as trippy and fucked up for me as "The Doom That Came To Sarnath", and this is probably the greatest passage in it - after building a picture of the beautiful, serene city of Sarnath, BLAM!

Then, close to the hour of midnight, all the bronze gates of Sarnath burst open and emptied forth a frenzied throng that blackened the plain, so that all the visiting princes and travelers fled away in fright. For on the faces of this throng was writ a madness born of horror unendurable, and on their tongues were words so terrible that no hearer paused for proof. Men whose eyes were wild with fear shrieked aloud of the sight within the king's banquet-hall, where through the windows were seen no longer the forms of Nargis-Hei and his nobles and slaves, but a horde of indescribable green voiceless things with bulging eyes, pouting, flabby lips, and curious ears; things which danced horribly, bearing in their paws golden platters set with rubies and diamonds and containing uncouth flames. And the princes and travelers, as they fled from the doomed city of Sarnath on horses and camels and elephants, looked again upon the mist-begetting lake and saw the gray rock Akurion was quite submerged. Through all the land of Mnar and the land adjacent spread the tales of those who had fled from Sarnath, and caravans sought that accursed city and its precious metals no more. It was long ere any travelers went thither, and even then only the brave and adventurous young men of yellow hair and blue eyes, who are no kin to the men of Mnar. These men indeed went to the lake to view Sarnath; but though they found the vast still lake itself, and the gray rock Akurion which rears high above it near the shore, they beheld not the wonder of the world and pride of all mankind. Where once had risen walls of three hundred cubits and towers yet higher, now stretched only the marshy shore, and where once had dwelt fifty million of men now crawled the detestable water-lizard. Not even the mines of precious metal remained. DOOM had come to Sarnath.

But half buried in the rushes was spied a curious green idol; an exceedingly ancient idol chiseled in the likeness of Bokrug, the great water-lizard. That idol, enshrined in the high temple at Ilarnek, was subsequently worshipped beneath the gibbous moon throughout the land of Mnar.

I did a piece of coursework last year on "At The Mountains of Madness", pinpointing this passage - if you don't know why, just imagine that this is the most direct and insightful passage in the entire novella.

It is only with vast hesitancy and repugnance that I let my mind go back to Lake's camp and what we really found there - and to that other thing beyond the mountains of madness. I am constantly tempted to shirk the details, and to let hints stand for actual facts and ineluctable deductions. I hope I have said enough already to let me glide briefly over the rest; the rest, that is, of the horror at the camp. I have told of the wind-ravaged terrain, the damaged shelters, the disarranged machinery, the varied uneasiness of our dogs, the missing sledges and other items, the deaths of men and dogs, the absence of Gedney, and the six insanely buried biological specimens, strangely sound in texture for all their structural injuries, from a world forty million years dead. I do not recall whether I mentioned that upon checking up the canine bodies we found one dog missing. We did not think much about that till later - indeed, only Danforth and I have thought of it at all.

The principal things I have been keeping back relate to the bodies, and to certain subtle points which may or may not lend a hideous and incredible kind of rationale to the apparent chaos. At the time, I tried to keep the men's minds off those points; for it was so much simpler - so much more normal - to lay everything to an outbreak of madness on the part of some of Lake's party. From the look of things, that demon mountain wind must have been enough to drive any man mad in the midst of this center of all earthly mystery and desolation.

The crowning abnormality, of course, was the condition of the bodies - men and dogs alike. They had all been in some terrible kind of conflict, and were torn and mangled in fiendish and altogether inexplicable ways. Death, so far as we could judge, had in each case come from strangulation or laceration. The dogs had evidently started the trouble, for the state of their ill-built corral bore witness to its forcible breakage from within. It had been set some distance from the camp because of the hatred of the animals for those hellish Archaean organisms, but the precaution seemed to have been taken in vain. When left alone in that monstrous wind, behind flimsy walls of insufficient height, they must have stampeded - whether from the wind itself, or from some subtle, increasing odor emitted by the nightmare specimens, one could not say.

But whatever had happened, it was hideous and revolting enough. Perhaps I had better put squeamishness aside and tell the worst at last - though with a categorical statement of opinion, based on the first-hand observations and most rigid deductions of both Danforth and myself, that the then missing Gedney was in no way responsible for the loathsome horrors we found. I have said that the bodies were frightfully mangled. Now I must add that some were incised and subtracted from in the most curious, cold-blooded, and inhuman fashion. It was the same with dogs and men. All the healthier, fatter bodies, quadrupedal or bipedal, had had their most solid masses of tissue cut out and removed, as by a careful butcher; and around them was a strange sprinkling of salt - taken from the ravaged provision chests on the planes - which conjured up the most horrible associations. The thing had occurred in one of the crude aeroplane shelters from which the plane had been dragged out, and subsequent winds had effaced all tracks which could have supplied any plausible theory. Scattered bits of clothing, roughly slashed from the human incision subjects, hinted no clues. It is useless to bring up the half impression of certain faint snow prints in one shielded corner of the ruined inclosure - because that impression did not concern human prints at all, but was clearly mixed up with all the talk of fossil prints which poor Lake had been giving throughout the preceding weeks. One had to be careful of one's imagination in the lee of those overshadowing mountains of madness.

And if we want a nice, quick and simple quote, I think the dénouement at the end of "Pickman's Model" is probably the most simple and effective ending ever written in the entirety of literature.

Well - that paper wasn't a photograph of any background, after all. What it showed was simply the monstrous being he was painting on that awful canvas. It was the model he was using- and its background was merely the wall of the cellar studio in minute detail. But by God, Eliot, it was a photograph from life!

I reread Sarnath not that long ago; the scene you quoted reminds me of the poem in "The Fall of the House of Usher", and I imagine that Lovecraft wrote the story partly as a way to provide a background and full drama to the basic image of the basic image.

As for Mountains of Madness, I'm rereading it just now and finding that I'd forgotten some things, including details from the passage above.

[Jesus Prime]

I loved that passage in "Mountains", it sets everything up so much that he could describe a pebble for the next thousand words and it'd still freak you out.